SCRAPS
frames, memories, moments in time.
experimental, emotional, selfie-atorial. reverse-chronological...ish.
when i die, and i am nothing more but these photographs,
i hope to be burned along with my negatives, in the hopes that
the energy suspended in them will be released back into the
world and universe, finally free from the moment.
I REMEMBER:
5808
january 2024
mamiya rb67
127mm f/3.5. gold 200
what, you think i’m above
being a poetic asshole on
my own website?
think again!
more seriously, though, i
genuinely believe in the
importance of play in any
craft, including photography.
not every photo needs to be a
masterpiece, or even good.
sometimes they can suck.
sometimes, all a photo needs
to be is fun and meaningful.
GALLERY
GALLERY
GALLERY
GALLERY
5895
january 2024
canonet g-iii ql17
40mm f/1.7. fuji 400
5814
january 2024
mamiya rb67
127mm f/3.5. gold 200
5905
january 2024
canonet g-iii ql17
40mm f/1.7. fuji 400
5786, 5781, 5785
july-september(?) 2023
canon ftb
50mm f/1.8. delta 3200
5787, 5753
july-september(?) 2023
canon ftb
50mm f/1.8. delta 3200
5676, 5677
august 2023
mamiya rb67
65mm f/4. gold 200
5435
may 2023
mamiya rb67
127mm f/3.5. gold 200
5453
may 2023
mamiya rb67
65mm f/4. 400d
5218
march 2023
canon prima shot
35mm f/3.5. superia 400
5359
april 2023
mamiya rb67
127mm f/3.5. gold 200
5244
february 2023
canon prima shot
35mm f/3.5. superia 400
5204
march 2023
canon prima shot
35mm f/3.5. superia 400
5225
march 2023
canon prima shot
35mm f/3.5. superia 400
exciting!!excellent!! live,
at red gate arts society!
this end-of-roll double exposure looks SICK.
5329, 5203, 5199, 5200
march 2023
canon prima shot
35mm f/3.5. superia 400
these images were taken at vancoufur 2023.
presented without further context.
5202, 5196
march 2023
canon prima shot
35mm f/3.5. superia 400
5190
march 2023
canon prima shot
35mm f/3.5. superia 400
5105, 5111
august-october(?) 2022
canonet g-iii ql17
40mm f/1.7. nph 400
4933, 4910
july 2022, june 2022
canon prima shot
35mm f/3.5. c200
4897, 4904
june 2022
canon prima shot
35mm f/3.5. c200
this roll’s date is unlabeled. likely sat in my camera for several months.
most of the frames on this roll are blank due to accidental film back openings.
you can see some of the light leaking from that on here.
this film is also expired.
this roll was souped. if i created a more potent mixture with longer standing times, i’d likely have more substantial results.
i digress. this day was particularly special to me for a number of reasons.
if it wasn’t obvious, i was not the photographer of a few of these photos --
particuarly the ones where i am, of course, not holding a camera.
this photo on the right here has a massive strand of what is likely hair on the scan.
i originally didn’t give enough of a shit to rescan this particular negative. turns out i still don’t. it looks fine!
4838, 4858
june 2022
mamiya rb67
127mm f/3.5. pro 400h
4636, 4653, 4667
april 2022
canon prima shot
35mm f/3.5. superia 400
4641, 4638
april 2022
canon prima shot
35mm f/3.5. superia 400
4577, 4565, 4578
april 2022
canon prima shot
35mm f/3.5. p3200
taken at a live show for
PUP THE BAND
in so-called “victoria, bc”
4520, 4317
april 2022
mamiya rb67, canon prima shot
127mm f/3.5, 35mm f/3.5. gold 200
4296, 4285, 4284 (left, above, right)
april 2022
canon prima shot
35mm f/3.5. c200
4199, 4190, 4184
march 2022
yashica-a
80mm f/3.5. pro 400h (left, center), portra 400 (right)
4221, 4220
march 2022
canon ftb
50mm f/1.8. gold 200
4145, 3810
february 2022, november 2021
mamiya rb67
127mm f/3.5. pro 400h, fomapan 200
4011, 4115, 4090
december 2021
yashica-a (left), canon ftb (middle, right)
80mm f/3.5 (left), 50mm f/1.8 (middle, right). portra 400 (left), superia 400 (middle, right)
my friend here, an avid record collector among other things,
is holding a copy of the vince guaraldi trio’s “a charlie brown christmas,”
which i bought as, well, a christmas gift.
this roll is undated. it’s certainly an interesting process trying to discern
the rough time frame of the roll just based on memory and context.
such are the pitfalls of terrible memory on top of frequent marijuana use.
or, i suppose, bad practice.
sorry not sorry that i don’t label my rolls.
WHERE TO FIND ME
WHERE TO FIND ME
